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Meet Me in the Bathroom: Rebirth and Rock and Roll in New York City 2001-2011-Lizzy Goodman

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Named a Best Book of 2017 by NPR and GQJoining the ranks of the classics Please Kill Me, Our Band Could Be Your Life, and Can’t Stop Won’t Stop, an intriguing oral history of the post-9/11 decline of the old-guard music industry and rebirth of the New York rock scene, led by a group of iconoclastic rock bands.In the second half of the twentieth-century New York was the source of new sounds, including the Greenwich Village folk scene, punk and new wave, and hip-hop. But as the end of the millennium neared, cutting-edge bands began emerging from Seattle, Austin, and London, pushing New York further from the epicenter. The behemoth music industry, too, found itself in free fall, under siege from technology. Then 9/11/2001 plunged the country into a state of uncertainty and war—and a dozen New York City bands that had been honing their sound and style in relative obscurity suddenly became symbols of glamour for a young, web-savvy, forward-looking generation in need of an anthem.Meet Me in the Bathroom charts the transformation of the New York music scene in the first decade of the 2000s, the bands behind it—including The Strokes, The Yeah Yeah Yeahs, LCD Soundsystem, Interpol, and Vampire Weekend—and the cultural forces that shaped it, from the Internet to a booming real estate market that forced artists out of the Lower East Side to Williamsburg. Drawing on 200 original interviews with James Murphy, Julian Casablancas, Karen O, Ezra Koenig, and many others musicians, artists, journalists, bloggers, photographers, managers, music executives, groupies, models, movie stars, and DJs who lived through this explosive time, journalist Lizzy Goodman offers a fascinating portrait of a time and a place that gave birth to a new era in modern rock-and-roll.

Book Meet Me in the Bathroom: Rebirth and Rock and Roll in New York City 2001-2011 Review :



Although I have not finished this book yet, I haven't been able to put it down. I have read a few of the critical reviews that do not like the way that the book is written, because it is an oral history full of quotes that are interwoven together to tell the story of various bands throughout the early 2000s. I personally like the oral history aspect, but my recommendation would be go have a bookmark or page marker at the beginning of the book, because they give a brief description of the individuals being quoted throughout the book. In the first 100 pages, I've found myself flipping back and forth quite a bit, because I was not familiar with some of the journalists, promoters, and founders of the various bars/record labels, and they do not provide much of a bio in the quotes. With that being said, do not let the style of the book dissuade you from purchasing. If you're a fan of music like myself, you will have a hard time taking a break from reading this book.
Meet Me in the Bathroom spills all the secrets of the early 2000's indie scene in New York, but these aren't a journalistic third-party account of these secrets. They are interviews from the artists themselves, trudging up their past, sometimes slinging some dirt at one another, now looking back with with honest retrospective. Each chapter reads in quotes as they gather in a room to converse, which may feel off-putting to readers at first, but it also ensures that you are reading the truth from the source instead of from an observer. Lizzy Goodman knows this and is careful to preserve these accounts. It's an educational and often entertaining read, and after playing "Fever to Tell" or "Turn on the Bright Lights" for nearly two decades, it gives modern classic albums new meanings.

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